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Idomeneo, KV 366: No. 2. Aria non ho colpa album cover

ISRC

DEA808499003

Idomeneo, KV 366: No. 2. Aria non ho colpa

Song: Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante)

Mozartorchester des Opernhauses ZürichNikolaus Harnoncourt
Released 2005-01-01

Last verified:

DEA808499003 is the International Standard Recording Code (ISRC) for the recording "Idomeneo, KV 366: No. 2. Aria non ho colpa" by Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt, released 2005-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
84Year (1984)
99003Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Idomeneo, KV 366: No. 2. Aria non ho colpa" by Mozartorchester des Opernhauses Zürich?
The ISRC for "Idomeneo, KV 366: No. 2. Aria non ho colpa" by Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt is DEA808499003.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA808499003?

DEA808499003 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Idomeneo, KV 366: No. 2. Aria non ho colpa" by Mozartorchester des Opernhauses Zürich, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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