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ISRC

DEA809106703

Grabmusik, K. 42: Recitativo: Recitativo: Geliebte Seel`

Song: Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel)

Sylvia McNairConcentus Musicus WienNikolaus Harnoncourt
Released 1995-01-01

Last verified:

DEA809106703 is the International Standard Recording Code (ISRC) for the recording “Grabmusik, K. 42: Recitativo: Recitativo: Geliebte Seel`” by Sylvia McNair, Concentus Musicus Wien, Nikolaus Harnoncourt, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
91Year (1991)
06703Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Grabmusik, K. 42: Recitativo: Recitativo: Geliebte Seel`" by Sylvia McNair?
The ISRC for "Grabmusik, K. 42: Recitativo: Recitativo: Geliebte Seel`" by Sylvia McNair, Concentus Musicus Wien, Nikolaus Harnoncourt is DEA809106703.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA809106703?

DEA809106703 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Grabmusik, K. 42: Recitativo: Recitativo: Geliebte Seel`” by Sylvia McNair, Concentus Musicus Wien, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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