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Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto! album cover

ISRC

DEA809199053

Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto!

Song: Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo)

Royal Concertgebouw OrchestraNikolaus Harnoncourt
Released 1991-01-01

Last verified:

DEA809199053 is the International Standard Recording Code (ISRC) for the recording "Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto!" by Royal Concertgebouw Orchestra, Nikolaus Harnoncourt, released 1991-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
91Year (1991)
99053Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto!" by Royal Concertgebouw Orchestra?
The ISRC for "Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto!" by Royal Concertgebouw Orchestra, Nikolaus Harnoncourt is DEA809199053.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA809199053?

DEA809199053 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Così fan tutte, KV 588: Recitativo: Amico, abbiamo vinto!" by Royal Concertgebouw Orchestra, Nikolaus Harnoncourt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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