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ISRC

DEA809432200

La clemenza di Tito: Act I. Aria "Parto, ma tu ben mio"

Song: La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)

Jennifer LarmoreOrchestre de Chambre de LausanneJesús López Cobos
Released 1995-10-03

Last verified:

DEA809432200 is the International Standard Recording Code (ISRC) for the recording "La clemenza di Tito: Act I. Aria "Parto, ma tu ben mio"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos, released 1995-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
94Year (1994)
32200Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La clemenza di Tito: Act I. Aria "Parto, ma tu ben mio"" by Jennifer Larmore?
The ISRC for "La clemenza di Tito: Act I. Aria "Parto, ma tu ben mio"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos is DEA809432200.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA809432200?

DEA809432200 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La clemenza di Tito: Act I. Aria "Parto, ma tu ben mio"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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