ISRC

DEA809432500

Mitridate, re di Ponto: Act III. Aria "Già dagli occhi"

Song: Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace)

Jennifer LarmoreOrchestre de Chambre de LausanneJesús López Cobos
Released 1995-10-03

Last verified:

DEA809432500 is the International Standard Recording Code (ISRC) for the recording "Mitridate, re di Ponto: Act III. Aria "Già dagli occhi"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos, released 1995-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A80Registrant
94Year (1994)
32500Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Mitridate, re di Ponto: Act III. Aria "Già dagli occhi"" by Jennifer Larmore?
The ISRC for "Mitridate, re di Ponto: Act III. Aria "Già dagli occhi"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos is DEA809432500.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA809432500?

DEA809432500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mitridate, re di Ponto: Act III. Aria "Già dagli occhi"" by Jennifer Larmore, Orchestre de Chambre de Lausanne, Jesús López Cobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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