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Bluesounds Movement I album cover

ISRC

DEA890800145

Bluesounds Movement I2

Song: BLUESOUNDS MOVEMENT I

Vince Mendoza
unmatchedNot yet matched in the MLC database
Released 2008-09-09

Last verified:

DEA890800145 is the International Standard Recording Code (ISRC) for the recording "Bluesounds Movement I" by Vince Mendoza, released 2008-09-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
A89Registrant
08Year (2008)
00145Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

VINCE MENDOZAComposer
SUSPENDED MUSIC OriginalPublisher0.00%IPI: 00126392283
SOUNDRIGHTS MUSIC RightsAdministrator100.00%IPI: 00466398507

Who publishes this song?

SUSPENDED MUSICOriginalPublisher
IPI: 00126392283
SOUNDRIGHTS MUSICRightsAdministrator
IPI: 00466398507

MLC Song Code

B4147Z
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

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People also ask

What is the ISRC for "Bluesounds Movement I" by Vince Mendoza?
The ISRC for "Bluesounds Movement I" by Vince Mendoza is DEA890800145.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEA890800145?

DEA890800145 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bluesounds Movement I" by Vince Mendoza. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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