ISRC

DEAD60707108

Prelude & Fugue XXII in B-flat minor, BWV 891 from: Das Wohltemperierte Klavier II: Prelude

Song: The Well-Tempered Clavier, Book II: Prelude and Fugue no. 22 in B-flat minor, BWV 891: Prelude

David Theodor Schmidt
Released 2007-08-28

Last verified:

DEAD60707108 is the International Standard Recording Code (ISRC) for the recording “Prelude & Fugue XXII in B-flat minor, BWV 891 from: Das Wohltemperierte Klavier II: Prelude by David Theodor Schmidt, released 2007-08-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
AD6Registrant
07Year (2007)
07108Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Prelude & Fugue XXII in B-flat minor, BWV 891 from: Das Wohltemperierte Klavier II: Prelude" by David Theodor Schmidt?
The ISRC for "Prelude & Fugue XXII in B-flat minor, BWV 891 from: Das Wohltemperierte Klavier II: Prelude" by David Theodor Schmidt is DEAD60707108.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEAD60707108?

DEAD60707108 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Prelude & Fugue XXII in B-flat minor, BWV 891 from: Das Wohltemperierte Klavier II: Prelude by David Theodor Schmidt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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