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Capriccio in G major, Hob. XVII:1 album cover

ISRC

DEAD61902701

Capriccio in G major, Hob. XVII:12

Song: CAPRICCIO IN G MAJOR, HOB.XVII:1

Ekaterina Derzhavina
matched
Released 2019-05-17

Last verified:

DEAD61902701 is the International Standard Recording Code (ISRC) for the recording “Capriccio in G major, Hob. XVII:1” by Ekaterina Derzhavina, released 2019-05-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSEPH HAYDN.

Format

DECountry
AD6Registrant
19Year (2019)
02701Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOSEPH HAYDNComposerLyricist

MLC Song Code

CA7D9E
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Capriccio in G major, Hob. XVII:1" by Ekaterina Derzhavina?
The ISRC for "Capriccio in G major, Hob. XVII:1" by Ekaterina Derzhavina is DEAD61902701.
Who wrote "Capriccio in G major, Hob. XVII:1"?
"Capriccio in G major, Hob. XVII:1" was written by JOSEPH HAYDN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEAD61902701?

DEAD61902701 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Capriccio in G major, Hob. XVII:1” by Ekaterina Derzhavina. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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