Jump Into the Hive (Evo edit) album cover

ISRC

DEAT71104259

Jump Into the Hive (Evo edit)2

Song: JUMP INTO THE HIVE

Akanoid
unmatchedNot yet matched in the MLC database
Released 2011-04-15

Last verified:

DEAT71104259 is the International Standard Recording Code (ISRC) for the recording “Jump Into the Hive (Evo edit) by Akanoid, released 2011-04-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
AT7Registrant
11Year (2011)
04259Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

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People also ask

What is the ISRC for "Jump Into the Hive (Evo edit)" by Akanoid?
The ISRC for "Jump Into the Hive (Evo edit)" by Akanoid is DEAT71104259.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEAT71104259?

DEAT71104259 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jump Into the Hive (Evo edit) by Akanoid. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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