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Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches album cover

ISRC

DEB111205908

Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches

Song: Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches"

Kammerchor StuttgartFrieder Bernius
Released 2012-11-01

Last verified:

DEB111205908 is the International Standard Recording Code (ISRC) for the recording “Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches” by Kammerchor Stuttgart, Frieder Bernius, released 2012-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B11Registrant
12Year (2012)
05908Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches" by Kammerchor Stuttgart?
The ISRC for "Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches" by Kammerchor Stuttgart, Frieder Bernius is DEB111205908.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB111205908?

DEB111205908 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Jesu, meine Freude BWV 227 - II. Es ist nun nichts Verdammliches” by Kammerchor Stuttgart, Frieder Bernius. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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