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ISRC

DEB200513529

Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection), BWV deest

Song: Komm, heiliger Geist, erfüll die Herzen, BWV 1174 (Emans 122)

Gerhard Weinberger
Released 2006-01-01

Last verified:

DEB200513529 is the International Standard Recording Code (ISRC) for the recording "Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection), BWV deest" by Gerhard Weinberger, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
05Year (2005)
13529Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection), BWV deest" by Gerhard Weinberger?
The ISRC for "Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection), BWV deest" by Gerhard Weinberger is DEB200513529.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB200513529?

DEB200513529 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Komm, heiliger Geist, erfüll die Herzen, chorale prelude for organ (Rinck Collection), BWV deest" by Gerhard Weinberger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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