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ISRC

DEB200828007

Odysseus, op. 16: IV. Das Gastmahl der Freier. Sehr bewegt

Deutsche Radio Philharmonie Saarbrücken KaiserslauternFrank Beermann
Released 2010-02-22

Last verified:

DEB200828007 is the International Standard Recording Code (ISRC) for the recording "Odysseus, op. 16: IV. Das Gastmahl der Freier. Sehr bewegt" by Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Frank Beermann, released 2010-02-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
08Year (2008)
28007Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Odysseus, op. 16: IV. Das Gastmahl der Freier. Sehr bewegt" by Deutsche Radio Philharmonie Saarbrücken Kaiserslautern?
The ISRC for "Odysseus, op. 16: IV. Das Gastmahl der Freier. Sehr bewegt" by Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Frank Beermann is DEB200828007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB200828007?

DEB200828007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Odysseus, op. 16: IV. Das Gastmahl der Freier. Sehr bewegt" by Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Frank Beermann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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