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ISRC

DEB200961007

Verfolge mich, o Welt! (Pursue me, O World!): After the Sermon, Chorale: Dich hab ich mir erlesen (Chorus)

Les Amis de PhilippeLudger Rémy
Released 2010-10-18

Last verified:

DEB200961007 is the International Standard Recording Code (ISRC) for the recording "Verfolge mich, o Welt! (Pursue me, O World!): After the Sermon, Chorale: Dich hab ich mir erlesen (Chorus)" by Les Amis de Philippe, Ludger Rémy, released 2010-10-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
09Year (2009)
61007Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Verfolge mich, o Welt! (Pursue me, O World!): After the Sermon, Chorale: Dich hab ich mir erlesen (Chorus)" by Les Amis de Philippe?
The ISRC for "Verfolge mich, o Welt! (Pursue me, O World!): After the Sermon, Chorale: Dich hab ich mir erlesen (Chorus)" by Les Amis de Philippe, Ludger Rémy is DEB200961007.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB200961007?

DEB200961007 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Verfolge mich, o Welt! (Pursue me, O World!): After the Sermon, Chorale: Dich hab ich mir erlesen (Chorus)" by Les Amis de Philippe, Ludger Rémy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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