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Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre album cover

ISRC

DEB201145802

Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre

Song: Symphony no. 3 in B minor, op. 50: II. Adagio in modo di marcia funebre

Bochumer SymphonikerFrank Beermann
Released 2015-01-06

Last verified:

DEB201145802 is the International Standard Recording Code (ISRC) for the recording “Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre” by Bochumer Symphoniker, Frank Beermann, released 2015-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
11Year (2011)
45802Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre" by Bochumer Symphoniker?
The ISRC for "Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre" by Bochumer Symphoniker, Frank Beermann is DEB201145802.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB201145802?

DEB201145802 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Symphony no. 3 in B minor, op. 50: Adagio in modo di marcia funebre” by Bochumer Symphoniker, Frank Beermann. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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