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Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio album cover

ISRC

DEB201274211

Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio2

Song: ADAGIO MA NON TROPPO

Eckart HübnerKurpfälzisches Kammerorchester
unmatchedNot yet matched in the MLC database
Released 2012-11-02

Last verified:

DEB201274211 is the International Standard Recording Code (ISRC) for the recording "Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio" by Eckart Hübner, Kurpfälzisches Kammerorchester, released 2012-11-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
12Year (2012)
74211Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio" by Eckart Hübner?
The ISRC for "Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio" by Eckart Hübner, Kurpfälzisches Kammerorchester is DEB201274211.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB201274211?

DEB201274211 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio" by Eckart Hübner, Kurpfälzisches Kammerorchester. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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