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ISRC

DEB201717017

Gedenke Herr an die Schmach, GWV 1170/41: II. Accompagnato "Die Heiland Wen jammert's nicht"

Jana PietersMannheimer HofkapelleFlorian Heyerick
Released 2018-01-01

Last verified:

DEB201717017 is the International Standard Recording Code (ISRC) for the recording "Gedenke Herr an die Schmach, GWV 1170/41: II. Accompagnato "Die Heiland Wen jammert's nicht"" by Jana Pieters, Mannheimer Hofkapelle, Florian Heyerick, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
17Year (2017)
17017Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Gedenke Herr an die Schmach, GWV 1170/41: II. Accompagnato "Die Heiland Wen jammert's nicht"" by Jana Pieters?
The ISRC for "Gedenke Herr an die Schmach, GWV 1170/41: II. Accompagnato "Die Heiland Wen jammert's nicht"" by Jana Pieters, Mannheimer Hofkapelle, Florian Heyerick is DEB201717017.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB201717017?

DEB201717017 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Gedenke Herr an die Schmach, GWV 1170/41: II. Accompagnato "Die Heiland Wen jammert's nicht"" by Jana Pieters, Mannheimer Hofkapelle, Florian Heyerick. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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