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Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen” album cover

ISRC

DEB202042613

Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen”2

Hanna ZumsandeBarockwerk HamburgIra Hochman
unmatchedNot yet matched in the MLC database
Released 2021-08-13

Last verified:

DEB202042613 is the International Standard Recording Code (ISRC) for the recording “Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen”” by Hanna Zumsande, Barockwerk Hamburg, Ira Hochman, released 2021-08-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B20Registrant
20Year (2020)
42613Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen”" by Hanna Zumsande?
The ISRC for "Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen”" by Hanna Zumsande, Barockwerk Hamburg, Ira Hochman is DEB202042613.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB202042613?

DEB202042613 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gib, daß ich mich nicht erhebe, TWV 1:621: II. Aria “Ich muß entlaufen”” by Hanna Zumsande, Barockwerk Hamburg, Ira Hochman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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