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ISRC

DEB261401101

Suite No. 4 in G-Dur, Op. 61, «Mozartiana»: III. Preghiera: Andante non tanto

Radio-Sinfonieorchester Stuttgart des SWRSir Neville Marriner
Released 2016-01-01

Last verified:

DEB261401101 is the International Standard Recording Code (ISRC) for the recording "Suite No. 4 in G-Dur, Op. 61, «Mozartiana»: III. Preghiera: Andante non tanto" by Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner, released 2016-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B26Registrant
14Year (2014)
01101Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Suite No. 4 in G-Dur, Op. 61, «Mozartiana»: III. Preghiera: Andante non tanto" by Radio-Sinfonieorchester Stuttgart des SWR?
The ISRC for "Suite No. 4 in G-Dur, Op. 61, «Mozartiana»: III. Preghiera: Andante non tanto" by Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner is DEB261401101.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB261401101?

DEB261401101 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Suite No. 4 in G-Dur, Op. 61, «Mozartiana»: III. Preghiera: Andante non tanto" by Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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