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Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium album cover

ISRC

DEB331127311

Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium

Song: The Well-Tempered Clavier, Book II: Prelude and Fugue no. 18 in G-sharp minor, BWV 887: Prelude

András Schiff
Released 2012-08-24

Last verified:

DEB331127311 is the International Standard Recording Code (ISRC) for the recording “Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium” by András Schiff, released 2012-08-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B33Registrant
11Year (2011)
27311Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium" by András Schiff?
The ISRC for "Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium" by András Schiff is DEB331127311.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB331127311?

DEB331127311 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Das Wohltemperierte Clavier, Buch II: Präludium und Fuge gis‐Moll, BWV 887: Präludium” by András Schiff. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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