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Strangers by Midday album cover

ISRC

DEB331446106

Strangers by Midday2

Song: STRANGERS BY MIDDAY

Mette Henriette
matched
Released 2015-10-16

Last verified:

DEB331446106 is the International Standard Recording Code (ISRC) for the recording “Strangers by Midday” by Mette Henriette, released 2015-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by METTE HENRIETTE MARTEDATTER ROELVAAG.

Format

DECountry
B33Registrant
14Year (2014)
46106Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

METTE HENRIETTE MARTEDATTER ROELVAAGComposerLyricist
N C B SCANDINAVIA OriginalPublisher

Who publishes this song?

N C B SCANDINAVIAOriginalPublisher

MLC Song Code

SD1AC6
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Strangers by Midday" by Mette Henriette?
The ISRC for "Strangers by Midday" by Mette Henriette is DEB331446106.
Who wrote "Strangers by Midday"?
"Strangers by Midday" was written by METTE HENRIETTE MARTEDATTER ROELVAAG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB331446106?

DEB331446106 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Strangers by Midday” by Mette Henriette. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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