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ISRC

DEB950669117

Lohengrin, Opera, Wwv 75: Act 2. Scene 2. Euch Lüften, Die Mein Klagen

Song: Lohengrin, WWV 75: Akt II, Scene II. “Euch Lüften, die mein Klagen so traurig oft erfüllt”

Orchester der Bayreuther FestspieleLovro von Matačić
Released 2006-07-28

Last verified:

DEB950669117 is the International Standard Recording Code (ISRC) for the recording "Lohengrin, Opera, Wwv 75: Act 2. Scene 2. Euch Lüften, Die Mein Klagen" by Orchester der Bayreuther Festspiele, Lovro von Matačić, released 2006-07-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B95Registrant
06Year (2006)
69117Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2006):
Last two digits of the reference year (2006). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Lohengrin, Opera, Wwv 75: Act 2. Scene 2. Euch Lüften, Die Mein Klagen" by Orchester der Bayreuther Festspiele?
The ISRC for "Lohengrin, Opera, Wwv 75: Act 2. Scene 2. Euch Lüften, Die Mein Klagen" by Orchester der Bayreuther Festspiele, Lovro von Matačić is DEB950669117.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB950669117?

DEB950669117 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lohengrin, Opera, Wwv 75: Act 2. Scene 2. Euch Lüften, Die Mein Klagen" by Orchester der Bayreuther Festspiele, Lovro von Matačić. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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