Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus album cover

ISRC

DEB951184008

Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus

Song: Quatuor pour la fin du Temps : VIII. Louange à l'Immortalité de Jésus

Carolin WidmannAlexander Lonquich
Released 2019-03-01

Last verified:

DEB951184008 is the International Standard Recording Code (ISRC) for the recording “Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus by Carolin Widmann, Alexander Lonquich, released 2019-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
B95Registrant
11Year (2011)
84008Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus" by Carolin Widmann?
The ISRC for "Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus" by Carolin Widmann, Alexander Lonquich is DEB951184008.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEB951184008?

DEB951184008 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus by Carolin Widmann, Alexander Lonquich. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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