Play Again (Pete Oak remix) album cover

ISRC

DEBL60440175

Play Again (Pete Oak remix)2

Song: PLAY AGAIN

Soul Button
unmatchedNot yet matched in the MLC database
Released 2014-03-10

Last verified:

DEBL60440175 is the International Standard Recording Code (ISRC) for the recording “Play Again (Pete Oak remix) by Soul Button, released 2014-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
BL6Registrant
04Year (2004)
40175Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Play Again (Pete Oak remix)" by Soul Button?
The ISRC for "Play Again (Pete Oak remix)" by Soul Button is DEBL60440175.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL60440175?

DEBL60440175 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Play Again (Pete Oak remix) by Soul Button. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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