ISRC

DEBL61281605

GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]

Song: GETS ME THROUGH

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DEBL61281605 is the International Standard Recording Code (ISRC) for the recording “GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN MICHAEL OSBOURNE.

Format

DECountry
BL6Registrant
12Year (2012)
81605Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]

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People also ask

What is the ISRC for "GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]"?
The ISRC for "GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]" is DEBL61281605.
Who wrote "GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]"?
"GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]" was written by JOHN MICHAEL OSBOURNE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61281605?

DEBL61281605 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GETS ME THROUGH (KARAOKE VERSION) [ORIGINALLY PERFORMED BY OZZY OSBOURNE]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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