ISRC

DEBL61281625

I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]

Song: I'LL NEVER STOP

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DEBL61281625 is the International Standard Recording Code (ISRC) for the recording “I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KRISTIAN CARL MARCUS LUNDIN, ALEXANDER ERIK KRONLUND, MARTIN MAX SANDBERG.

Format

DECountry
BL6Registrant
12Year (2012)
81625Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]

People also ask

What is the ISRC for "I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]"?
The ISRC for "I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]" is DEBL61281625.
Who wrote "I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]"?
"I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]" was written by KRISTIAN CARL MARCUS LUNDIN, ALEXANDER ERIK KRONLUND, MARTIN MAX SANDBERG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61281625?

DEBL61281625 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'LL NEVER STOP (KARAOKE VERSION) [ORIGINALLY PERFORMED BY NSYNC]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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