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ISRC

DEBL61296078

I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]

Song: I SAW THREE SHIPS

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DEBL61296078 is the International Standard Recording Code (ISRC) for the recording “I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ARTIE SHAW, PARKER.

Format

DECountry
BL6Registrant
12Year (2012)
96078Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]
IPIARTIE SHAW

Related

Songwriter profiles

ARTIE SHAWIPIPARKERIPI

People also ask

What is the ISRC for "I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]"?
The ISRC for "I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]" is DEBL61296078.
Who wrote "I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]"?
"I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]" was written by ARTIE SHAW, PARKER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61296078?

DEBL61296078 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I SAW THREE SHIPS (KARAOKE VERSION) [ORIGINALLY PERFORMED BY STING]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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