ISRC

DEBL61369838

ADIÓS, MARIQUITA LINDA

Song: ADIOS MARIQUITA LINDA

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DEBL61369838 is the International Standard Recording Code (ISRC) for the recording “ADIÓS, MARIQUITA LINDA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARCOS A. JIMENEZ.

Format

DECountry
BL6Registrant
13Year (2013)
69838Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARCOS A. JIMENEZComposerLyricist
PROMOTORA HISPANO AMERICANA DE OriginalPublisherIPI: 00160694172
PEER INTERNATIONAL CORP RightsAdministratorIPI: 00023764981
PROMOTORA HISPANO AMERICANA DE OriginalPublisherIPI: 00160694172
PEER INTERNATIONAL CORP RightsAdministratorIPI: 00023764981

Who publishes this song?

PROMOTORA HISPANO AMERICANA DEOriginalPublisher
IPI: 00160694172
PEER INTERNATIONAL CORPRightsAdministrator
IPI: 00023764981
SourcesMLC

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People also ask

What is the ISRC for "ADIÓS, MARIQUITA LINDA"?
The ISRC for "ADIÓS, MARIQUITA LINDA" is DEBL61369838.
Who wrote "ADIÓS, MARIQUITA LINDA"?
"ADIÓS, MARIQUITA LINDA" was written by MARCOS A. JIMENEZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBL61369838?

DEBL61369838 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ADIÓS, MARIQUITA LINDA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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