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ISRC

DEBZ71000080

The Magic in My Heart Is Dead2

Song: MAGIC IN MY HEART IS DEAD

God Module
unmatchedNot yet matched in the MLC database
Released 2010-02-19

Last verified:

DEBZ71000080 is the International Standard Recording Code (ISRC) for the recording “The Magic in My Heart Is Dead” by God Module, released 2010-02-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
BZ7Registrant
10Year (2010)
00080Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JASYN BANGERTComposerLyricist

MLC Song Code

MB978K
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "The Magic in My Heart Is Dead" by God Module?
The ISRC for "The Magic in My Heart Is Dead" by God Module is DEBZ71000080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEBZ71000080?

DEBZ71000080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Magic in My Heart Is Dead” by God Module. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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