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ISRC

DEC158800070

Medley: Die Gaas (Belfast) / Oh, wenn die Oma blank is (Paloma Blanca) / Da drüwwe geht's nach Sachsehause (Amarillo)

Adam und die Micky’s
Released 2013-01-01

Last verified:

DEC158800070 is the International Standard Recording Code (ISRC) for the recording "Medley: Die Gaas (Belfast) / Oh, wenn die Oma blank is (Paloma Blanca) / Da drüwwe geht's nach Sachsehause (Amarillo)" by Adam und die Micky’s, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
C15Registrant
88Year (1988)
00070Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Medley: Die Gaas (Belfast) / Oh, wenn die Oma blank is (Paloma Blanca) / Da drüwwe geht's nach Sachsehause (Amarillo)" by Adam und die Micky’s?
The ISRC for "Medley: Die Gaas (Belfast) / Oh, wenn die Oma blank is (Paloma Blanca) / Da drüwwe geht's nach Sachsehause (Amarillo)" by Adam und die Micky’s is DEC158800070.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEC158800070?

DEC158800070 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Medley: Die Gaas (Belfast) / Oh, wenn die Oma blank is (Paloma Blanca) / Da drüwwe geht's nach Sachsehause (Amarillo)" by Adam und die Micky’s. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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