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Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto album cover

ISRC

DEC299731201

Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto

Markus Becker
Released 1996-01-01

Last verified:

DEC299731201 is the International Standard Recording Code (ISRC) for the recording “Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto” by Markus Becker, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
C29Registrant
97Year (1997)
31201Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto" by Markus Becker?
The ISRC for "Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto" by Markus Becker is DEC299731201.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEC299731201?

DEC299731201 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Variationen und Fuge über ein Thema von Georg Philipp Telemann, op. 134: I. Thema: Tempo di menuetto” by Markus Becker. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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