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ISRC

DEE476200017

Die Kunst der Fuge, BWV 1080: Contrapunctus I a 42

Song: CONTRAPUNCTUS 4

Collegium Aureum
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Last verified:

DEE476200017 is the International Standard Recording Code (ISRC) for the recording “Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4” by Collegium Aureum. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHANN SEBASTIAN BACH, IVAN NOVAK, IZTOK TURK.

Format

DECountry
E47Registrant
62Year (1962)
00017Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDie Kunst der Fuge, BWV 1080: Contrapunctus I a 4
IPIJOHANN SEBASTIAN BACH

People also ask

What is the ISRC for "Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4" by Collegium Aureum?
The ISRC for "Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4" by Collegium Aureum is DEE476200017.
Who wrote "Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4"?
"Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4" was written by JOHANN SEBASTIAN BACH, IVAN NOVAK, IZTOK TURK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEE476200017?

DEE476200017 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die Kunst der Fuge, BWV 1080: Contrapunctus I a 4” by Collegium Aureum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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