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ISRC

DEF054902174

Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete

Song: 4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete

Dietrich Fischer-DieskauHertha Klust
Released 1998-01-01

Last verified:

DEF054902174 is the International Standard Recording Code (ISRC) for the recording "Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete" by Dietrich Fischer-Dieskau, Hertha Klust, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
49Year (2049)
02174Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2049):
Last two digits of the reference year (2049). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete" by Dietrich Fischer-Dieskau?
The ISRC for "Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete" by Dietrich Fischer-Dieskau, Hertha Klust is DEF054902174.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF054902174?

DEF054902174 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete" by Dietrich Fischer-Dieskau, Hertha Klust. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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