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ISRC

DEF055103270

Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’

Song: Italienisches Liederbuch: No. 17. Und willst du deinen Liebsten sterben sehen

Dietrich Fischer-DieskauHertha Klust
Released 1998-01-01

Last verified:

DEF055103270 is the International Standard Recording Code (ISRC) for the recording "Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’" by Dietrich Fischer-Dieskau, Hertha Klust, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
51Year (1951)
03270Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1951):
Last two digits of the reference year (1951). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’" by Dietrich Fischer-Dieskau?
The ISRC for "Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’" by Dietrich Fischer-Dieskau, Hertha Klust is DEF055103270.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055103270?

DEF055103270 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’" by Dietrich Fischer-Dieskau, Hertha Klust. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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