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ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599 album cover

ISRC

DEF055204240

ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599

Song: PUBLIC DOMAIN TRACK

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DEF055204240 is the International Standard Recording Code (ISRC) for the recording "ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PUBLIC DOMAIN.

Format

DECountry
F05Registrant
52Year (1952)
04240Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1952):
Last two digits of the reference year (1952). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599
IPIPUBLIC DOMAIN

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PUBLIC DOMAINIPI

People also ask

What is the ISRC for "ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599"?
The ISRC for "ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599" is DEF055204240.
Who wrote "ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599"?
"ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599" was written by PUBLIC DOMAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055204240?

DEF055204240 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ORGELBÜCHLEIN, BWV 599-644: NUN KOMM, DER HEIDEN HEILAND, BWV 599". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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