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Harold en Italie, op. 16: 1. Harold aux montagnes album cover

ISRC

DEF055502741

Harold en Italie, op. 16: 1. Harold aux montagnes

Song: Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro

Heinz KirchnerBerliner PhilharmonikerIgor Markevitch
Released 1993-01-01

Last verified:

DEF055502741 is the International Standard Recording Code (ISRC) for the recording "Harold en Italie, op. 16: 1. Harold aux montagnes" by Heinz Kirchner, Berliner Philharmoniker, Igor Markevitch, released 1993-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
55Year (1955)
02741Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1955):
Last two digits of the reference year (1955). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Harold en Italie, op. 16: 1. Harold aux montagnes" by Heinz Kirchner?
The ISRC for "Harold en Italie, op. 16: 1. Harold aux montagnes" by Heinz Kirchner, Berliner Philharmoniker, Igor Markevitch is DEF055502741.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF055502741?

DEF055502741 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Harold en Italie, op. 16: 1. Harold aux montagnes" by Heinz Kirchner, Berliner Philharmoniker, Igor Markevitch. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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