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ISRC

DEF056101110

Andrea Chénier: Act III. Recitative and Aria "Nemico della patria?!" - "Un di m'era di gioia"

Song: Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile)

Dietrich Fischer-Dieskau

Last verified:

DEF056101110 is the International Standard Recording Code (ISRC) for the recording "Andrea Chénier: Act III. Recitative and Aria "Nemico della patria?!" - "Un di m'era di gioia"" by Dietrich Fischer-Dieskau. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
61Year (1961)
01110Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1961):
Last two digits of the reference year (1961). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Andrea Chénier: Act III. Recitative and Aria "Nemico della patria?!" - "Un di m'era di gioia"" by Dietrich Fischer-Dieskau?
The ISRC for "Andrea Chénier: Act III. Recitative and Aria "Nemico della patria?!" - "Un di m'era di gioia"" by Dietrich Fischer-Dieskau is DEF056101110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056101110?

DEF056101110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Andrea Chénier: Act III. Recitative and Aria "Nemico della patria?!" - "Un di m'era di gioia"" by Dietrich Fischer-Dieskau. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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