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Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren” album cover

ISRC

DEF056202470

Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren”

Song: Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg)

Fritz WunderlichMünchner RundfunkorchesterHans Moltkau
Released 1990-05-07

Last verified:

DEF056202470 is the International Standard Recording Code (ISRC) for the recording "Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren”" by Fritz Wunderlich, Münchner Rundfunkorchester, Hans Moltkau, released 1990-05-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
62Year (1962)
02470Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1962):
Last two digits of the reference year (1962). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren”" by Fritz Wunderlich?
The ISRC for "Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren”" by Fritz Wunderlich, Münchner Rundfunkorchester, Hans Moltkau is DEF056202470.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056202470?

DEF056202470 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Der Waffenschmied: Akt 1. “Man wird ja einmal nur geboren”" by Fritz Wunderlich, Münchner Rundfunkorchester, Hans Moltkau. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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