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ISRC

DEF056500940

Konzert für Violine und Orchester a-Moll op. 53: 2. Adagio ma non troppo

Song: Violin Concerto in A minor, op. 53: II. Adagio ma non troppo

Edith PeinemannTschechische Philharmonie PragPeter Maag
Released 1994-01-01

Last verified:

DEF056500940 is the International Standard Recording Code (ISRC) for the recording "Konzert für Violine und Orchester a-Moll op. 53: 2. Adagio ma non troppo" by Edith Peinemann, Tschechische Philharmonie Prag, Peter Maag, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
65Year (1965)
00940Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Konzert für Violine und Orchester a-Moll op. 53: 2. Adagio ma non troppo" by Edith Peinemann?
The ISRC for "Konzert für Violine und Orchester a-Moll op. 53: 2. Adagio ma non troppo" by Edith Peinemann, Tschechische Philharmonie Prag, Peter Maag is DEF056500940.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056500940?

DEF056500940 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Konzert für Violine und Orchester a-Moll op. 53: 2. Adagio ma non troppo" by Edith Peinemann, Tschechische Philharmonie Prag, Peter Maag. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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