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ISRC

DEF056731441

Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia)

Berliner PhilharmonikerHerbert von Karajan
Released 1985-01-01

Last verified:

DEF056731441 is the International Standard Recording Code (ISRC) for the recording "Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia)" by Berliner Philharmoniker, Herbert von Karajan, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
67Year (1967)
31441Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia)" by Berliner Philharmoniker?
The ISRC for "Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia)" by Berliner Philharmoniker, Herbert von Karajan is DEF056731441.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF056731441?

DEF056731441 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Das Rheingold: Szene IV. „Soll ich sorgen und fürchten“ (Wotan, Fricka, Froh, Donner, Freia)" by Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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