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Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle" album cover

ISRC

DEF057002500

Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle"

Song: Thaïs: Acte II, Scène I. "Ah ! je suis seule, seule enfin !" (Thaïs)

Montserrat CaballéPhilharmonia OrchestraReynald Giovaninetti
Released 2006-07-03

Last verified:

DEF057002500 is the International Standard Recording Code (ISRC) for the recording "Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle"" by Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti, released 2006-07-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
70Year (1970)
02500Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1970):
Last two digits of the reference year (1970). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle"" by Montserrat Caballé?
The ISRC for "Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle"" by Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti is DEF057002500.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057002500?

DEF057002500 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Thaïs: "Ah, me voilà seule" / "O mon miroir fidèle"" by Montserrat Caballé, Philharmonia Orchestra, Reynald Giovaninetti. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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