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ISRC

DEF057239114

The Tales of Hoffmann : Pardieu ! J'étais bien sûr

Song: Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann)

Susanne MarseeStuart BurrowsLondon Symphony OrchestraJulius Rudel
Released 2002-01-01

Last verified:

DEF057239114 is the International Standard Recording Code (ISRC) for the recording "The Tales of Hoffmann : Pardieu ! J'étais bien sûr" by Susanne Marsee, Stuart Burrows, London Symphony Orchestra, Julius Rudel, released 2002-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
72Year (1972)
39114Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1972):
Last two digits of the reference year (1972). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Tales of Hoffmann : Pardieu ! J'étais bien sûr" by Susanne Marsee?
The ISRC for "The Tales of Hoffmann : Pardieu ! J'étais bien sûr" by Susanne Marsee, Stuart Burrows, London Symphony Orchestra, Julius Rudel is DEF057239114.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057239114?

DEF057239114 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Tales of Hoffmann : Pardieu ! J'étais bien sûr" by Susanne Marsee, Stuart Burrows, London Symphony Orchestra, Julius Rudel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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