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ISRC

DEF057701950

Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace

Song: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto

Chicago Symphony OrchestraCarlo Maria Giulini
Released 1990-01-01

Last verified:

DEF057701950 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace" by Chicago Symphony Orchestra, Carlo Maria Giulini, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
77Year (1977)
01950Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace" by Chicago Symphony Orchestra?
The ISRC for "Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace" by Chicago Symphony Orchestra, Carlo Maria Giulini is DEF057701950.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057701950?

DEF057701950 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 9 in E minor, op. 95 "From the New World": III. Molto vivace" by Chicago Symphony Orchestra, Carlo Maria Giulini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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