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ISRC

DEF057704140

Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf«

Song: Gott der Weltschöpfer, op. 112 no. 2, D. 986

Helen DonathRobert HollMarga SchimlPeter SchreierLeonard Hokanson
Released 1997-01-01

Last verified:

DEF057704140 is the International Standard Recording Code (ISRC) for the recording "Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf«" by Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson, released 1997-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
77Year (1977)
04140Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf«" by Helen Donath?
The ISRC for "Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf«" by Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson is DEF057704140.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057704140?

DEF057704140 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf«" by Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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