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ISRC

DEF057707974

Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo

Song: Fantasía para un gentilhombre: IV. Canario

Narciso YepesEnglish Chamber OrchestraLuis Antonio García Navarro
Released 1985-11-01

Last verified:

DEF057707974 is the International Standard Recording Code (ISRC) for the recording "Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo" by Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro, released 1985-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
77Year (1977)
07974Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo" by Narciso Yepes?
The ISRC for "Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo" by Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro is DEF057707974.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057707974?

DEF057707974 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Fantasía para un gentilhombre: IV. Canario. Allegro ma non troppo" by Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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