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ISRC

DEF057730507

La fanciulla del West: Oh, se sapeste

Song: La fanciulla del West: Atto II. “Oh, se sapeste” (Minnie, Johnson, Wowkle)

Plácido DomingoCarol NeblettOrchestra of the Royal Opera HouseCovent GardenZubin Mehta
Released 1994-01-01

Last verified:

DEF057730507 is the International Standard Recording Code (ISRC) for the recording "La fanciulla del West: Oh, se sapeste" by Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
77Year (1977)
30507Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1977):
Last two digits of the reference year (1977). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "La fanciulla del West: Oh, se sapeste" by Plácido Domingo?
The ISRC for "La fanciulla del West: Oh, se sapeste" by Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta is DEF057730507.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF057730507?

DEF057730507 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La fanciulla del West: Oh, se sapeste" by Plácido Domingo, Carol Neblett, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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