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  1. Home
  2. ISRCs
  3. DEF057930917
Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön) album cover

ISRC

DEF057930917

Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)✓2

Song: DIE MATINEE WIRD, WIE ICH MIR DENKE

Franz MazuraHelmut PampuchKenneth RiegelTeresa StratasOrchestre de l’Opéra de ParisPierre Boulez
unmatchedNot yet matched in the MLC database
Released 1986-01-01

Last verified: July 15, 2026

DEF057930917 is the International Standard Recording Code (ISRC) for the recording “Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)” by Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
79Year (1979)
30917Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1979):
Last two digits of the reference year (1979). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

L95216
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)" by Franz Mazura?+
The ISRC for "Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)" by Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez is DEF057930917.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC DEF057930917?

DEF057930917 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)” by Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

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Franz MazuraHelmut PampuchKenneth RiegelTeresa StratasOrchestre de l’Opéra de ParisPierre Boulez

DEF057930917 is the International Standard Recording Code (ISRC) for the recording “Lulu: II. Akt, Erste Szene. »Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden« (Alwa, Lulu, Kammerdiener, Dr. Schön)” by Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez, released 1986-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Franz Mazura, Helmut Pampuch, Kenneth Riegel, Teresa Stratas, Orchestre de l’Opéra de Paris, Pierre Boulez