ISRC
Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)2
Song: BIZET: INTERMEZZO FROM CARMEN
Last verified:
DEF058230751 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)” by Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
DEF058230751 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)” by Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
José Carreras, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer
NLA508305702José Carreras, Plácido Domingo, Gumpoldskirchner Spatzen Children's Choir, Luciano Pavarotti, Wiener Symphoniker, Steven Mercurio
USSM10010300DEF058230751 is the International Standard Recording Code (ISRC) for the recording “Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)” by Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.