ISRC

DEF058502000

See, The Conqu'ring Hero Comes!

Song: SEE THE CONQUERING HERO COMES (FROM JUDAS MACCABAEUS)

Hannes Laubin
unmatchedNot yet matched in the MLC database
Released 1996-01-01

Last verified:

DEF058502000 is the International Standard Recording Code (ISRC) for the recording "See, The Conqu'ring Hero Comes!" by Hannes Laubin, released 1996-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
85Year (1985)
02000Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1985):
Last two digits of the reference year (1985). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "See, The Conqu'ring Hero Comes!" by Hannes Laubin?
The ISRC for "See, The Conqu'ring Hero Comes!" by Hannes Laubin is DEF058502000.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058502000?

DEF058502000 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "See, The Conqu'ring Hero Comes!" by Hannes Laubin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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