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ISRC

DEF058803203

Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico

Song: Sonata for Piano and Violin in B minor: III. Passacaglia. Allegro moderato ma energico

Kyung Wha ChungKrystian Zimerman
Released 1989-01-01

Last verified:

DEF058803203 is the International Standard Recording Code (ISRC) for the recording "Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico" by Kyung Wha Chung, Krystian Zimerman, released 1989-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
88Year (1988)
03203Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico" by Kyung Wha Chung?
The ISRC for "Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico" by Kyung Wha Chung, Krystian Zimerman is DEF058803203.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058803203?

DEF058803203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonate für Violine und Klavier h-moll: 3. (Passacaglia). Allegro moderato ma energico" by Kyung Wha Chung, Krystian Zimerman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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