ISRC

DEF058902602

Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo

Song: Cello Concerto in B-flat major, G. 482: II. Adagio non troppo

Matt HaimovitzEnglish Chamber OrchestraAndrew Davis
Released 1990-01-01

Last verified:

DEF058902602 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo" by Matt Haimovitz, English Chamber Orchestra, Andrew Davis, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

DECountry
F05Registrant
89Year (1989)
02602Designation
Country:
ISO 3166-1 alpha-2 country code (DE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1989):
Last two digits of the reference year (1989). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo" by Matt Haimovitz?
The ISRC for "Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo" by Matt Haimovitz, English Chamber Orchestra, Andrew Davis is DEF058902602.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC DEF058902602?

DEF058902602 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo" by Matt Haimovitz, English Chamber Orchestra, Andrew Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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